313

THE TAESCHNER COLLECTION (Or. 12.434, cont.)

95); Kö?ek Dem§ Mustafa (d. 1095/1684) (p. 32); $eyda Hafiz (‘Abdurrahlm Efendi, d. 1214/1799-1800) (p. 35, 38, 41); §eyda Ahmed Dede (p. 45, 48); Sultan Selim III (d. 1807/1222) (p. 51); ‘AbdulbakT Dede Efendi [known’as Baykara] (d. 1935) (p. 52, 55); Sadik Efendi (p. 61); ‘itri (d. 1123/1711) (p. 66); Rifat Beg (d. 1306/1888) (p. 69); tJöca Zeka’ï Dede (d. 1315/1897 (p. 71, 73, 76, 78, 85); shaykh Nak$T el-Mevlevf (d. 1270/1853-4) (p. 88). The songs, all of the ilahi or sema'i genre, are preceded by red headings which, apart from the composer, mention the modes and cadences (usül). The compositions are subdivided in couplets with sub-headings, with indications like ‘terennüm’ and 'seldm\ with numbers (see plate). The songs contain series of words or distichs consisting of repeated exclamations like 'hey hey ihsün meded bar bar bar', which are also written in red. The work is preceded by an index of the makams, headed fihrist (first original flyleaf, verso). Literature: ‘AbdürrahïmDede-Efendi’, ‘Ahmed Aga,‘Baykara’, ‘HüseyinDede’, ‘Itrï’; ‘Mustafa Dede-Efendi’, ‘Nak§i Dede-Efendi’, ‘Osman Dede’, ‘Rifat Bey’, ‘Selïm III’, Zeka’ï Dede’, in Yilmaz Öztuna, Biiyük TürkMüsikisi Ansiklopedisi (2 Vols., Ankara 1990); ‘Ahmed’, ‘Itri’, ‘Nak§i’, ‘§eyda’, in Avni Erdemir, Anadolu Sahasi Musikijinas Divan §airleri (Ankara 1999). (2) pp. 101-107 Mi ‘racfye-i yerif-i nebevi ve medh-i evsaf-i latif-i Mustafavi iS 3 a !*>«*>» 1*»1 tJsLojl [it j tjs-fj cJu -»-l jt, A poem in mesnevi rhyme on Muhammad’s ascent to heaven by the Mevlevf shaykh and composer shaykh ‘Osman Dede, who used the pen-name of Nayï (flourished early 12/18th century). The title occurs in the heading preceding the text on p. 101; the name of the author is mentioned in the heading (p. 101), p. 102:3 and p. 106:17. The work is preceded by an introduction (pp. 101-2) and ends in a prayer (münücat, p. 106). For the seven sections of the poem, the modes (maküm) to be used are indicated in red. Only a few manuscript copies are documented. (For another copy of the same text and further details, see under Cod.Or. 12.395(2), above.) Begins (p. 101, identical with the fourth line in Cod.Or. 12.395(2), 7b): j^LI jUJj Jj * oAll jL. ^ J *iJ| j,| Ends (p. 107):