681

93. Durga suckling Bima, water of life; 94. babat wana Minta Giri, naga Manda,lika, agriculture; 95. Cidra, dèwi Ambarwati; 96. Wij ut}, wild boars plowing, agriculture; 97. Klëndah, Darma Kusuma; 98. babat wana bjundan Pura, deer; 99. Kambat}, détya Aru Radah; 100. Tablëg, buried.

h'Or

10.892-10.900 — B-31.104 — half

for the use of Mr J. L. Moens. Several plays relate the legendary origin of magic practices and old rural customs, others refer to wan- das, special types, of wayai} puppets. Each volume contains about 150 fine full-page coloured illustrations in wayai} style, with captions. The text is in popular Yogyakarta idiom with sprightly dialogues. The cursive Yogyakarta script is written abnormally large. Collection Moens, in 1964 transferred from the Leiden Ethnographic Museum to the Library. The plays are called: in vol. I (cod. 10.892, purwa lakons): 1. Pétruk Garèr} wujud bagus; formerly they were called Mërcukilan and Pë- cruk; mentioning Ismaya; 2. Togog Sarahita wujud bagus; formerly Téja Maya and radèn Sarahita; 3. Sëmar-Ismaya, kyahi danyai} Mara Sapta, meeting Bagor}; 4. Sëmar Mëndui}, Badra Naya, meeting Togog; 5. Pétruk Dobla Jaya, wanda Bëlis, and Garèi} Patra Warjsa, wanda Tetjis; 6. Gar éi} wanda Katët, Tërjis; 7. Sëmar Milii}, pandita Arga Pala; 8. Garèi} Tani, in agriculture, wanda Tërpil; 9. Sëmar Gati, kyahi Bujagati, eating the stars; 10. Sëmar Dunuk, kyahi Naya Taka; 11. Garèt} Brujul (Wëdus prucul, horn less goat, magic); 12. Pétruk Jlëgoi} (robber); 13. Pétruk Sambël Gorèt}, called Sura Jët}gala ; 14. Pétruk Dèblèt} (Këbo Dèblèt} magie); 15. Pétruk Kyahi, Sëdawala (Dawala), mentioning dèwi Tasik Rëtna; 16. Bagot} Gilut;