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"Namban" screen, detail: the procession of Portuguese walking to the Christian church; half-way they are welcomed by three Jesuits and one Franciscan friar. Other Portuguese are coming out of the church gate. In the upper register: parts of the church com
"Namban" screen, detail: the procession of Portuguese walking to the Christian church; half-way they are welcomed by three Jesuits and one Franciscan friar. Other Portuguese are coming out of the church gate. In the upper register: parts of the church com
"Namban" screen, detail: the procession of Portuguese; in the centre foreground two camels. By a follower of Hasegawa Tôhaku. Early 17th century. Lower section of five panels of the right-hand screen of a pair of sixfold "namban" screens.
"Namban" screen, detail: the reception scene; the Portuguese captain and his retinue approaching the priests. The right-hand screen of a pair of sixfold "Namban" screens.
"Namban" screen, detail: three Franciscan friars, welcoming the Portuguese merchants at the entrance of the church compound. From the right-hand screen of a pair of sixfold "namban" screens, early 17th century.
"Namban" screen, detail: three Portuguese walking in front of a shop selling, among other "exotic" goods, some Christian religious objects like censers and rosaries with crucifixes. The right-hand screen of a pair of sixfold "Namban" screens.
"Namban" screen, detail: two Portuguese merchants standing on the deck of a carrack in Nagasaki harbour. The left-hand screen of a pair of sixfold "Namban" screens.
"Namban" screen, detail: woman in shop, selling textiles and other imported goods. The right-hand screen of a pair of sixfold "namban" screens, by Kanô Naizen, early 17th century.
"Namban" screen, detail: woman in shop, selling textiles, china and other imported goods. The right-hand screen of a pair of sixfold "namban" screens, by Kanô Naizen, early 17th century.
"Namban" screen-pair of the second type, in which the arrival of the ship in Nagasaki, the procession and the welcoming are combined on the right-hand screen (the left-hand screen depicts the departure from a foreign port *). Right-hand screen of a pair o
"Namban" screen: the procession of Portuguese walking to the Christian church; half-way they are welcomed by three Jesuits and one Franciscan friar. Other Portuguese are coming out of the church gate. In the upper register: parts of the church complex, in
"Netsuke": Dutchman stooping forward to pick up a cock. Wood; 19th century.
"Netsuke": a Dutch woman carrying a child on her back, and holding a fan and a horn or trumpet. Antler; early 19th century.
"Netsuke": a Dutchman carrying a child on his back, and holding a horn or trumpet in his right hand. Wood; early 19th century.
"Netsuke": a Javanese (?) cook testing an egg for freshness, he is holding it in front of his left eye. Ivory, signed by the 19th century master-carver Shôunsai of Maeda. 19th century.
"Netsuke": a Javanese servant (cook?) holding a cock. Lacquered wood; 19th century.
"Netsuke": a Javanese servant boy carrying a large cock. Ivory; early 19th century.
"Netsuke": a seated Dutchman, sitting cross-legged, with feet resembling horse's hoofs. Hands above his head, smiling face. Note depiction of hairs on arms and legs.
"Netsuke": a standing Dutchman blowing a horn. Hat and long coat. Wood, early 19th century.
Copperplate etching: "Tôdo meisho zenzu" "All the Famous Places in the Eastern Capital" by Aôdô Denzen, produced in black and white, border imitating a fringed piece of cloth. Bird's eye view of Edo, with in the far distance Mount Fuji.

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