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Advertisement of Kagaya Kyûbei's store at Nihombashi, Edo, offering a great variety of glass-ware. Mid-19th century.
Titel
Advertisement of Kagaya Kyûbei's store at Nihombashi, Edo, offering a great variety of glass-ware. Mid-19th century.
Shelfmark
21394
Album painting: a dragon dance performed in front of the Mazu temple in the Chinese settlement at Nagasaki. "Tô-Ran emaki", "The Chinese and Dutch Factories". By Kawahara Keiga.
Titel
Album painting: a dragon dance performed in front of the Mazu temple in the Chinese settlement at Nagasaki. "Tô-Ran emaki", "The Chinese and Dutch Factories". By Kawahara Keiga.
Shelfmark
22299
Album painting: a Dutchman having sexual intercourse with a Nagasaki prostitute on a western-style balcony on Deshima. One on the rare erotic scenes situated on the island. Around 1860, anonymous.
Titel
Album painting: a Dutchman having sexual intercourse with a Nagasaki prostitute on a western-style balcony on Deshima. One on the rare erotic scenes situated on the island. Around 1860, anonymous.
Shelfmark
22642
Album painting: a Dutchman (with still his hat on) having intercourse with a Nagasaki prostitute. By Katsukawa Shunchô, late 1780s.
Titel
Album painting: a Dutchman (with still his hat on) having intercourse with a Nagasaki prostitute. By Katsukawa Shunchô, late 1780s.
Shelfmark
22630
Album painting: a night scene in the pleasure district of Maruyama: prostitutes waiting for customers behind bars and walking in the street; male customers looking through the bars and conversing with the girls upstairs. By Kawahara Keiga.
Titel
Album painting: a night scene in the pleasure district of Maruyama: prostitutes waiting for customers behind bars and walking in the street; male customers looking through the bars and conversing with the girls upstairs. By Kawahara Keiga.
Shelfmark
22317
Album painting: a theatrical performance in the Chinese settlement at Nagasaki. The play is dedicated to the goddess Mazu, indicated by the inscription "Tianshang shengmu" "The Heavenly Saintly Mother" on the red flags. "Tô-Ran emaki", "The Chinese and Du
Titel
Album painting: a theatrical performance in the Chinese settlement at Nagasaki. The play is dedicated to the goddess Mazu, indicated by the inscription "Tianshang shengmu" "The Heavenly Saintly Mother" on the red flags. "Tô-Ran emaki", "The Chinese and Du
Shelfmark
22297
Album painting: an archery contest at the Sanjûsangen-dô in Kyôto, from a Japanese album. One of a series of fifty paintings on 19 sheets, acquired by Kaempfer in Japan. This painting was used by Kaempfer as a basis for his drawing of the temple (*).
Titel
Album painting: an archery contest at the Sanjûsangen-dô in Kyôto, from a Japanese album. One of a series of fifty paintings on 19 sheets, acquired by Kaempfer in Japan. This painting was used by Kaempfer as a basis for his drawing of the temple (*).
Shelfmark
22724
Album painting: an "orang utan" "from western India", imported in 1800 on a Dutch ship; with measurements. From a set of five folding albums once owned by the Takaki family, who for several generations were active as administrators in Nagasaki. The pictur
Titel
Album painting: an "orang utan" "from western India", imported in 1800 on a Dutch ship; with measurements. From a set of five folding albums once owned by the Takaki family, who for several generations were active as administrators in Nagasaki. The pictur
Shelfmark
22487
Album painting, scene 1: a group of people gathered on the looking terrace on Deshima, watching the arrival of a Dutch ship firing a salute: two Dutchmen, two Japanese consorts (one with red-haired baby), and a Javanese boy. One scene from a pair of hands
Titel
Album painting, scene 1: a group of people gathered on the looking terrace on Deshima, watching the arrival of a Dutch ship firing a salute: two Dutchmen, two Japanese consorts (one with red-haired baby), and a Javanese boy. One scene from a pair of hands
Shelfmark
22245
Album painting, scene 10: departure of a Dutch ship, firing a salute. One scene from a pair of handscrolls with separate paintings mounted on them, "Tô-Ran kannai zu"(*), taken from the scroll with 10 album paintings depicting life on Deshima. By Kawahara
Titel
Album painting, scene 10: departure of a Dutch ship, firing a salute. One scene from a pair of handscrolls with separate paintings mounted on them, "Tô-Ran kannai zu"(*), taken from the scroll with 10 album paintings depicting life on Deshima. By Kawahara
Shelfmark
22254
Album painting, scene 2: Dutch ship at anchor, in the foreground part of Deshima. One scene from a pair of handscrolls with separate paintings mounted on them, "Tô-Ran kannai zu"(*), taken from the scroll with 10 album paintings depicting life on Deshima.
Titel
Album painting, scene 2: Dutch ship at anchor, in the foreground part of Deshima. One scene from a pair of handscrolls with separate paintings mounted on them, "Tô-Ran kannai zu"(*), taken from the scroll with 10 album paintings depicting life on Deshima.
Shelfmark
22246
Album painting, scene 3: the tender for commodities in the square behind the water gate; some Dutchmen standing and conversing. One scene from a pair of handscrolls with separate paintings mounted on them, "Tô-Ran kannai zu"(*), taken from the scroll with
Titel
Album painting, scene 3: the tender for commodities in the square behind the water gate; some Dutchmen standing and conversing. One scene from a pair of handscrolls with separate paintings mounted on them, "Tô-Ran kannai zu"(*), taken from the scroll with
Shelfmark
22247
Album painting, scene 4: the weighing of commodities in the main street of Deshima. One scene from a pair of handscrolls with separate paintings mounted on them, "Tô-Ran kannai zu"(*), taken from the scroll with 10 album paintings depicting life on Deshim
Titel
Album painting, scene 4: the weighing of commodities in the main street of Deshima. One scene from a pair of handscrolls with separate paintings mounted on them, "Tô-Ran kannai zu"(*), taken from the scroll with 10 album paintings depicting life on Deshim
Shelfmark
22248
Album painting, scene 5: filling wooden boxes with copper in front of a warehouse, for export. One scene from a pair of handscrolls with separate paintings mounted on them, "Tô-Ran kannai zu"(*), taken from the scroll with 10 album paintings depicting lif
Titel
Album painting, scene 5: filling wooden boxes with copper in front of a warehouse, for export. One scene from a pair of handscrolls with separate paintings mounted on them, "Tô-Ran kannai zu"(*), taken from the scroll with 10 album paintings depicting lif
Shelfmark
22249
Album painting, scene 6: a Dutchman in a garden with various animals: some cows, goats, pigs, geese, and a monkey on a string. Sundial. One scene from a pair of handscrolls with separate paintings mounted on them, "Tô-Ran kannai zu"(*), taken from the scr
Titel
Album painting, scene 6: a Dutchman in a garden with various animals: some cows, goats, pigs, geese, and a monkey on a string. Sundial. One scene from a pair of handscrolls with separate paintings mounted on them, "Tô-Ran kannai zu"(*), taken from the scr
Shelfmark
22250
Album painting, scene 7: the kitchen on Deshima: Dutchmen (in their Sunday's best) cutting meat and slauthering pigs. One scene from a pair of handscrolls with separate paintings mounted on them, "Tô-Ran kannai zu"(*), taken from the scroll with 10 album
Titel
Album painting, scene 7: the kitchen on Deshima: Dutchmen (in their Sunday's best) cutting meat and slauthering pigs. One scene from a pair of handscrolls with separate paintings mounted on them, "Tô-Ran kannai zu"(*), taken from the scroll with 10 album
Shelfmark
22251
Album painting, scene 8: Dutchmen at dinner, overlooking the bay. One servant bringing a dish; two Japanese ladies, one holding a cat. One scene from a pair of handscrolls with separate paintings mounted on them, "Tô-Ran kannai zu"(*), taken from the scro
Titel
Album painting, scene 8: Dutchmen at dinner, overlooking the bay. One servant bringing a dish; two Japanese ladies, one holding a cat. One scene from a pair of handscrolls with separate paintings mounted on them, "Tô-Ran kannai zu"(*), taken from the scro
Shelfmark
22252
Album painting, scene 9: Dutchmen playing billiards: three Dutchmen, one servant, and two Japanese women. One scene from a pair of handscrolls with separate paintings mounted on them, "Tô-Ran kannai zu"(*), taken from the scroll with 10 album paintings de
Titel
Album painting, scene 9: Dutchmen playing billiards: three Dutchmen, one servant, and two Japanese women. One scene from a pair of handscrolls with separate paintings mounted on them, "Tô-Ran kannai zu"(*), taken from the scroll with 10 album paintings de
Shelfmark
22253
Album painting: the custom of "fumi-e", "stepping upon a [Christian] image", which in the late 18th century had become a polite ritual gesture: when entering, a guest would step upon a Christian image in order to protect the host's home from evil. From a
Titel
Album painting: the custom of "fumi-e", "stepping upon a [Christian] image", which in the late 18th century had become a polite ritual gesture: when entering, a guest would step upon a Christian image in order to protect the host's home from evil. From a
Shelfmark
22313
Album painting: the Godaidô-dô at Matsushima, from a Japanese album. This painting was used by Scheuchzer for his drawing, who misinterpreted this Buddhist temple for a Shintô shrine (*). The corresponding copper engraving in "History of Japan" (**) also
Titel
Album painting: the Godaidô-dô at Matsushima, from a Japanese album. This painting was used by Scheuchzer for his drawing, who misinterpreted this Buddhist temple for a Shintô shrine (*). The corresponding copper engraving in "History of Japan" (**) also
Shelfmark
23048

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