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(54,281 - 54,300 of 71,215)

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Wall plaque with FU (happiness) character in gilt bronze with ivory inlay of arhats (LUOHAN) on a black lacquer ground, and with red sandalwood frame.
View of lane leading to the site where the Kaifeng synagogue once stood, 1910. The lane was called TIAOJIN JIAO HUTONG "The Lane of the Doctrine of Sinew-pluckers", but changed into JIAOJING JIAO HUTONG "The Lane of the Doctrine teaching the Scriptures",
Painting on glass: a foreign landscape. Several buildings in strange perspective style; some figures standing at the waterside. Anonymous, first half 19th century.
Watercolour: LONGCHUAN, "dragon boat", racing on the Shaobo Lake on the festival of DUANWU, "Double Five", the fifth day of the fifth month. The boat, with a dragon head and tail, is adorned with flags and banners, people performing tricks. 18-19th centur
Painting on glass: the Thirteen Factories at Canton, China, made by a Nagasaki painter. An example of Nagasaki glass painting that became very popular in the late 18th century as a tourist souvenir.
WENCHANG GE, the "Tower to the God of Literature", on the eastern shore of the Kunming Lake at Yihe yuan, the summer palace. This tower was the entrance gate to the Qingyi yuan "Garden of Clear Ripples", the garden originally at the site of the summer pal
Wall painting, depicting a group of laymen from all directions mourning Buddha's death. All are standing near the giant feet (bottom left) of the reclining Buddha, wearing different exotic costumes and headdress: large caps, hats with fur linings, white s
Painting, detail: the right lower corner of Deshima with two two-storeyed warehouses, the flagpole, and a large pine tree. Inscription: "Getekent door Tojoskij". Detail of a map of Deshima by Kawahara Keiga, c. 1830.
View through the southern entrance of Xiancan tan, the Altar of Sericulture, where the empress performed the ritual of worshipping the goddess of sericulture every year. The altar is situated in the north-eastern corner of Beihai park.
Wooden model of a stupa, found in Loulan.
Painting: "Afteekening van 't Eyland Decima te Nangasacky" ("Drawing of the Island of Deshima at Nagasaki"); situation of before the fire of 1798. Very similar to the woodblock print on silk in the Algemeen Rijksarchief (*); the list of names of buildings
Painting: "Amerika-jin ikan sono hoka no zu", "Costumes and Other Things of the Americans": a great variety of objects associated with Commodore Perry's second visit in 1844, including uniforms, musical instruments, tools, gifts offered to the "Bakufu" (i
black and white photos of 19th century China. architecture and people
Painting: "Buronhofu kazoku zu", "The Blomhoff Family": the three female members and the baby of the Cock Blomhoff family, no doubt drawn from life. Inscriptions read: "Tettaperpsma" (= Titia Bergsma); "Johannes Cok Blomhoff"; <i>Maratey" (= Melati); "Pre
Woman walking along the gutter in a narrow street in Tainan. Qingnian street, also called Goushi xiang "Dog dung lane".
Painting: "De groote partij in de kamer van het Opperhoofd zijn, op het Eijland", "The big party in the room of the "Opperhoofd", on the Island". A Dutch dinner party at the "Opperhoofd"'s residence, with two male Japanese guests and Japanese female compa
Watercolour: view of the city of "Namkun", Nankang (Jiangxi), at the shore of the Boyang hu. Ship on the lake; pagoda (Wenfeng ta) to the right, mountains in background. Watercolour from the original manuscript by Joan Nieuhof, member of the Dutch embassy
Painting: "Deshima kannai Kapitan-beya no zu", "The "Opperhoofd"'s Room at the [Dutch] Factory on Deshima". From the album "Nagasaki Ran-kan shashin", "True Pictures of the Dutch Factory at Nagasaki", by Takagawa Bunsen (*). Writing table, one Dutchman wr
Watercolour: "TUNGLINGH", view of the walled city of Tongling along the Yangzi river. Engraving taken from Joan Nieuhof's account of the first Dutch embassy to the Qing court in 1655-57. [N37]
Painting: "Flowers in an Urn", by the brothers Ishikawa Môkô and Tairô, dated 1796: a copy made of a painting (1725) by Willem van Royen that was presented by the Dutch "Opperhoofd") of Deshima to the "shôgun" Yoshimune. The original oil painting was late

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