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Copperplate etching: view from Mimeguri Shrine at Edo. Wide river with scattered boats, a dike on which people are strolling along the waterside, cloudy sky. In the distance the smoke from the kilns at Imado. Shiba Kokan, dated 1783. One of Kokan's first,
Copperplate etching: view from Mimeguri Shrine at Edo. Wide river with scattered boats, a dike on which people are strolling along the waterside, cloudy sky. In the distance the smoke from the kilns at Imado. Shiba Kokan, dated 1783. One of Kokan's first,
Copperplate etching: view of a hospital, by Shiba Kôkan. Landscape with trees, waterway with boat, and several figures strolling on the hospital grounds. Based upon a European imported view-box print. Text above reads: "ZIIeIIHUIS" (in reverse, garbled Du
Copperplate illustration: "'t Eilandje Desima Verblyf Plaats der Hollanders in Japan", from Thomas Salmon "Hedendaagsche Historie of Tegenwoordige Staat van Alle Volkeren" (Amsterdam, 1728). (*). This illustration does not figure in the English edition; c
Copperplate print, coloured by hand, world map: the slightly emended re-edition of Joan Blaeu's large world map of 1648, published by N. Visscher, Amsterdam, around 1678; it is dedicated to Louis XIV, whose portrait figures below the map's centre. The Jap
Copperplate print, coloured by hand: "Casteel Osacca", a bird's eye view of Ôsaka castle ["Ôsaka jô"]. Walled castle grounds, surrounded by a wide moat, with a high tower in the centre, surrounded by a second moat. From Atlas Vingboons, but strongly resem
Copperplate print, coloured by hand: "ORRERY", a planetarium. By Shiba Kôkan, from a set of 24 astronomical etchings "Tenky¿Ezenzu", "Complete Representation of the Celestial Globe".
Copperplate print, coloured by hand: two mosquito larvae, from the album "Tenkyû zenzu", 1796. The illustration is copied from J. Swammerdam's "Histoire générale des insectes" (Utrecht, 1682)(*). By Shiba Kôkan.
Copperplate print, coloured by hand: two species of "Asafetida, Asarum" (ginger plant), and "Asparagus spinosus", from J.W. Weiman's "Duidelijke Vertoning Eeniger Duizend in alle Vier Waerelds Deelen wassende Bomen, Stammen, Kruiden, Bloemen, Vrugten, en
Copperplate print, coloured by hand: various external views and a longitudinal section of a Dutch man-of-war; in the margins pictures of parts of the ship, transversal sections, and nautical instruments. "Nieuwe Tafel voor alle Liefhebbers en Zeevarende P
Copperplate print, frontispiece: "Beschrijving van de Natuur der Vier-voetige Dieren, Vissen, Bloedloze Water-dieren, Vogelen, Kronkel-dieren, Slangen en Draken", a zoological handbook by J. Jonston (Dutch version, translated from the Latin by M. Grausius
Copperplate print: "Chikyû zenzu ryakusetsu", "Summary Explanation of the Complete Map of the Globe", by Shiba Kokan, dated 1793. Published together with his "Chikyû zenzu" "Complete Map of the Globe" (*).
Copperplate print: "De Kaarsemaaker", a candle-maker at work, with a moralistic poem. It has served as a model for a fan-shaped monochrome ink painting (*) by Shiba Kôkan.
Copperplate print: "De Kuiper", a barrel-maker at work, with a moralistic poem. It has served as a model for a monochrome ink painting (*) and an oil painting (**) by Shiba Kôkan.
Copperplate print: "De Leerbereider", a tanner at work, with a moralistic poem. It has served as a model for an etching (*) by Shiba Kôkan.
Copperplate print: "De Mandemaaker", a basket-maker at work, with a moralistic poem. It has served as a model for a monochrome silk painting (*) and a woodblock print (**) by Shiba Kôkan.
Copperplate print: "De Seile maaker", a sail-maker at work, with a moralistic poem. It has served as a model for a monochrome ink painting (*) by Shiba Kôkan.
Copperplate print: "De Steenhouwer", a stone-cutter at work, with a moralistic poem. It has served as a model for a monochrome ink painting (*) by Shiba Kôkan.
Copperplate print: "De Tinnegieter", a tinsmith at work, with a moralistic poem. It has served as a model for a painting (*) and a woodblock print (**) by Shiba Kôkan.
Copperplate print: "De Veender", a peat-dragger at work, with a moralistic poem. It has served as a model for a painting (*) by Shiba Kôkan.

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