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Copperplate etching: "Tôfukuji Tsûtenbashi no kiri", "The Paulownia Trees at the Tsûten Bridge in the Tôfuku Temple". By Inoue Kyûk¿E signed "Sha Kyûk¿Esei". Printed in brown ink.
Titel
Copperplate etching: "Tôfukuji Tsûtenbashi no kiri", "The Paulownia Trees at the Tsûten Bridge in the Tôfuku Temple". By Inoue Kyûk¿E signed "Sha Kyûk¿Esei". Printed in brown ink.
Shelfmark
21802
Copperplate etching: "View Southward along the Sumida River". Bird's eye view of Edo, with in the far distance the peak of Mount Fuji. By Aôdô Denzen.
Titel
Copperplate etching: "View Southward along the Sumida River". Bird's eye view of Edo, with in the far distance the peak of Mount Fuji. By Aôdô Denzen.
Shelfmark
20181
Copperplate etching: "View from Senrihara", by Yasuda Raishû. Number two of his series of twelve famous places around Edo (1821-1823). Note the borders with insect designs, and the signature in western script, below right: "Jasda Sadakiti".
Titel
Copperplate etching: "View from Senrihara", by Yasuda Raishû. Number two of his series of twelve famous places around Edo (1821-1823). Note the borders with insect designs, and the signature in western script, below right: "Jasda Sadakiti".
Shelfmark
20196
Copperplate etching: "View of Enokizaka", produced in black and white, border imitating a fringed piece of cloth. Ox-cart drawn by one ox, transporting bundles of cloth (?). Row of houses; moat with wall. By Aôdô Denzen.
Titel
Copperplate etching: "View of Enokizaka", produced in black and white, border imitating a fringed piece of cloth. Ox-cart drawn by one ox, transporting bundles of cloth (?). Row of houses; moat with wall. By Aôdô Denzen.
Shelfmark
20173
Copperplate etching: "View of Mimeguri Shrine". Long dike along the water, the shrine in the distance. Tree in foreground; man leading a horse. Top: a (western-style) banner-cartouche, with text in katakana: "Mimekuri no tsu". By Aôdô Denzen.
Titel
Copperplate etching: "View of Mimeguri Shrine". Long dike along the water, the shrine in the distance. Tree in foreground; man leading a horse. Top: a (western-style) banner-cartouche, with text in katakana: "Mimekuri no tsu". By Aôdô Denzen.
Shelfmark
20178
Copperplate etching: "View of Sensô-ji on Mount Kinryû". The main temple of the Sensô-ji and the gateway on the right. Courtyard filled with visitors; a tall tree. By Aôdô Denzen.
Titel
Copperplate etching: "View of Sensô-ji on Mount Kinryû". The main temple of the Sensô-ji and the gateway on the right. Courtyard filled with visitors; a tall tree. By Aôdô Denzen.
Shelfmark
20177
Copperplate etching: "View of a Western Park", by Aôdô Denzen. Representation of Hyde Park in London, which might owe something to Shiba Kôkan's depiction of the Serpentine Lake in the same location (see acc. 20148). Lake with boats, figures getting on an
Titel
Copperplate etching: "View of a Western Park", by Aôdô Denzen. Representation of Hyde Park in London, which might owe something to Shiba Kôkan's depiction of the Serpentine Lake in the same location (see acc. 20148). Lake with boats, figures getting on an
Shelfmark
20182
Copperplate etching: "Violin", by Aôdô Denzen. The copperplate was also used for decorating textile; a lining of a basketwork handbag printed with Denzen's "Violin" has been preserved.
Titel
Copperplate etching: "Violin", by Aôdô Denzen. The copperplate was also used for decorating textile; a lining of a basketwork handbag printed with Denzen's "Violin" has been preserved.
Shelfmark
20185
Copperplate etching: "Yamazaki Fûkei</i>, "View of Yamazaki". From the series "Namiwa meishô", "Famous Places in Namiwa (=Ôsaka)". By Matsuda Ryokuzan ("alias" Gengendô II), signed (in western script) "Gen II". Printed in blue ink.
Titel
Copperplate etching: "Yamazaki Fûkei, "View of Yamazaki". From the series "Namiwa meishô", "Famous Places in Namiwa (=Ôsaka)". By Matsuda Ryokuzan ("alias" Gengendô II), signed (in western script) "Gen II". Printed in blue ink.
Shelfmark
21799
Copperplate etching: <i>Ryôgokuhashi no hishu", "Escaping the Summer Heat at Ryôgoku Bridge", by Yasuda Raish¿E Number six of his series of eight famous places around Edo (1821-1823), <i>Tôto shôkei dôban shinzu", "True Copperplate Pictures of the Eastern
Titel
Copperplate etching: Ryôgokuhashi no hishu", "Escaping the Summer Heat at Ryôgoku Bridge", by Yasuda Raish¿E Number six of his series of eight famous places around Edo (1821-1823), Tôto shôkei dôban shinzu", "True Copperplate Pictures of the Eastern
Shelfmark
20195
Copperplate etching: Ryôgoku Bridge, near Edo. Two-storied house in the foreground, in the distance a vast stretch of water with boats. Cartouche with Dutch text "TWEELANDBRUK", "Bridge of Two Countries". By Shiba Kôkan.
Titel
Copperplate etching: Ryôgoku Bridge, near Edo. Two-storied house in the foreground, in the distance a vast stretch of water with boats. Cartouche with Dutch text "TWEELANDBRUK", "Bridge of Two Countries". By Shiba Kôkan.
Shelfmark
20145
Copperplate etching: a Dutchman smoking a pipe, by Yasuda Denki (a pupil of Aôdô Denzen). He is seated on a chair, in the background view from a balcony, showing a Dutch landscape.
Titel
Copperplate etching: a Dutchman smoking a pipe, by Yasuda Denki (a pupil of Aôdô Denzen). He is seated on a chair, in the background view from a balcony, showing a Dutch landscape.
Shelfmark
20442
Copperplate etching: a street scene at Ochanomizu. Row of houses, street with pedestrians and a man with horse; river with bridge and along the other side a dike with trees, casting dark shadows. By Shiba Kôkan, dated spring 1784.
Titel
Copperplate etching: a street scene at Ochanomizu. Row of houses, street with pedestrians and a man with horse; river with bridge and along the other side a dike with trees, casting dark shadows. By Shiba Kôkan, dated spring 1784.
Shelfmark
20144
Copperplate etching: a western (mythological?) subject: a man offering a shining jewel to a goddess on a dias. From a jar under the godess's arm, water splashes out. By Inoue Ky¡¦¡¦ Signed "Ky¡¦¡¦sei/I>, with "kakihan". Printed in blue ink.
Titel
Copperplate etching: a western (mythological?) subject: a man offering a shining jewel to a goddess on a dias. From a jar under the godess's arm, water splashes out. By Inoue Ky¡¦¡¦ Signed "Ky¡¦¡¦sei/I>, with "kakihan". Printed in blue ink.
Shelfmark
21805
Copperplate etching: an old warrior (Benkei?) being massaged by a little demon. By Inoue Ky¡¦¡¦ signed "Ky¡¦¡¦gasei". Printed in blue ink.
Titel
Copperplate etching: an old warrior (Benkei?) being massaged by a little demon. By Inoue Ky¡¦¡¦ signed "Ky¡¦¡¦gasei". Printed in blue ink.
Shelfmark
21814
Copperplate etching: the Kangyo Pavilion, by Yasuda Denki (a pupil of Aôdô Denzen). The pavilion formed part of the estate of one of the officials attached to the lord of Shirakawa, whom Denki served as a resident artist.
Titel
Copperplate etching: the Kangyo Pavilion, by Yasuda Denki (a pupil of Aôdô Denzen). The pavilion formed part of the estate of one of the officials attached to the lord of Shirakawa, whom Denki served as a resident artist.
Shelfmark
20194
Copperplate etching: the Serpentine Lake in Hyde Park, London, by Shiba Kôkan. Pond with white swans; trees; visitors of the park, one feeding the birds, one lying on a bench, one playing with a dog. Based upon a European imported view-box print.
Titel
Copperplate etching: the Serpentine Lake in Hyde Park, London, by Shiba Kôkan. Pond with white swans; trees; visitors of the park, one feeding the birds, one lying on a bench, one playing with a dog. Based upon a European imported view-box print.
Shelfmark
20148
Copperplate etching: the artist's studio, by Shiba Kokan. On the right an etching press: wooden frame supporting the rollers and press bed. In the centre the artist, supposed to be Kokan himself, but the entire scene, in particular the still-life foregrou
Titel
Copperplate etching: the artist's studio, by Shiba Kokan. On the right an etching press: wooden frame supporting the rollers and press bed. In the centre the artist, supposed to be Kokan himself, but the entire scene, in particular the still-life foregrou
Shelfmark
20214
Copperplate etching: the falls of Ôkuma, with to the left the pavilion containing the inscribed stele in memory of the poet Bashô, by Aôdô Denzen, 1814.
Titel
Copperplate etching: the falls of Ôkuma, with to the left the pavilion containing the inscribed stele in memory of the poet Bashô, by Aôdô Denzen, 1814.
Shelfmark
20163
Copperplate etching: two human figures symbolizing Harmony and Success; on the right and left coral and waves; on the right the motto "Wag $B!& (Bsei manpuku/nisshin taihei-zen", "Harmony produces all kinds of good fortune; day by day it brings the wages
Titel
Copperplate etching: two human figures symbolizing Harmony and Success; on the right and left coral and waves; on the right the motto "Wag $B!& (Bsei manpuku/nisshin taihei-zen", "Harmony produces all kinds of good fortune; day by day it brings the wages
Shelfmark
21818

Pages