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Staff members sorting out the archives in the storehouse of the NEIGE DAKU "Grand Secretariat" in 1931. Shan Shiyuan, 2nd from right; Wang Meizhuang, 4th from right; and Shan Shikui, 5th from right.
Painting: the story of Lady Wenji, detail: A Chinese City in View. In a barren winter landscape, the Chinese horsemen accompanying lady Wenji take a rest, drinking water from the river. Anonymous handscroll "Eighteen Songs of a Nomad Flute" (HUJIA SHIBA P
Drawing: monks greet a prominent priest and his attendants.
Interior of the Taihe dian (Hall of Supreme Harmony) in the Forbidden City: high pillars and decorated ceiling. The throne, backed by a screen, stands on a platform in the centre of the hall with seven steps leading to it. It is carved, elaborately decora
Two soldiers in uniform (red and blue jackets; white trousers; straw sandals); serving as customs guard at Chongqing.
Painting: one of the six "Heretical Teachers", sitting on a wooden platfrom. He is wearing Chinese clothes and holding a fly-whisk in his hand; debating with the disciple Sâriputra (not visible here). The heretic's disciples are depicted as barbarians, we
Lithograph, detail: a crying district magistrate, moved by his own speech on the eve of his departure to a new post.  DIANSHIZHAI HUABAO. Shanghai, 1884 or later. Part I, 3/p. 1b-2a.
Title page of Dutch version of Le Comte's NOUVEAUX MEMOIRES¿DE LA CHINE (Paris, 1696); in this book China is glorified and idealized. Louis le Comte, French jesuit (1655 -1728). Louis le Comte. BESCHRIJVINGE VAN HET MAGTIG KEYSERRIJK CHINA. The Hague: 169
Detail of excavated piece of silk (57.5 x enlarged), showing the structure and natural sheen of silkfibre, still retained after so many centuries. Its quality is on par with the quality of silk produced with modern techniques.
Inside of blue and white bowl decorated with Portuguese arms, encircled by a Portuguese inscription: "Pem Tempo de Pero de Faria de 1541" (at the time of Pedro da Faria, in 1541). See also acc. 6781.
Grey earthenware steamer, YAN, painted decorations of triangles and dots in brown, white and red.
View of entrance to the Buddha Hall of the Xuanzhong si; grey-tiled roof, red pillars, and two red lampions with yellow tassels. In the background the Shibi Mountains.
Travelling monk studying the sutras in monastery library, Anhui. Above his head a large bronze bell, also suspended from a beam a bronze cast temple chime, YUNBAN, "cloud chime". Original photograph Prip Møller.
Disused Buddhist temple converted into nursery school, two tables with small children at the foot of a huge altar with seated Buddha statue, flanked by two disciple attendants. Two nurses, one holding a child, stand near a bamboo play pen.
Close-up of rubbing taken from stone-inscription of a Yu Yue calligraphy (recto).
Indian sculpture; carved ivory. Originally the handle of a mirror. Naked female figure, with belt, necklace and anklets. Leaning against her legs two small female servants. On the base an inscription in an old Indian script. Shows some resemblance with sc
Illustration: setting of Voltaire's play "L'orphelin de la Chine", based on the Chinese play ZHAO GU'ER ("the orpan Zhao"). Probably depicting the capture of Peking by the Mongols (1215). Figures fighting and fleeing, smoke and fire in the city.
Golden Roman coin, minted during the reign of Julius Caesar. Front and rear side.
Aerial view of Chongling Mausoleum. Grave of the Xiaoding empress, Guangxu emperor and his imperial concubines, the sisters Jin and Zhen of the Tatala clan. Chongling was built in 1909 and is part of Xiling, the imperial Western Tombs of the Qing dynasty.
Silk manuscript depicting stars and comets, as well as animal and plant symbols representing clouds, discovered at Mawangdui. Close-up of planets in eclipse. The roll depicts 300 items with astronomical, meteorological and astrological notes, used as an o

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