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Woodblock print: the Russian envoy Rezanov (who visited Nagasaki in 1804), with bicorn hat with plume; medals; sword at belt, in his right hand a floret. Published by Yamato-ya. Nagasaki print.
Painting, detail: left half of a panoramic view of Deshima, situation of c. 1850. Note spiral pathways in the garden. Anonymous.
Lithograph, book illustration: "Brücke von Desima", Deshima with its stone bridge, notice-board under a shelter. From F.A. Graf zu Eulenburg, "Die preussische Expedition nach Ostasien" (Berlin, 1866); sketch by A. Berg, in Vol. II, 1861/1862.
Woodblock print: an Arabian camel with an exotic driver and a Dutchman, with an inscription giving the circumstances of its arrival, its measurements and some other particulars. One of the two camels was imported in 1821; they were sent to Edo where they
Right: an angry lion and a lioness, as depicted in John Johnstone's (Dutch trsl.), "Naeukeurige Beschrijving van de Natuur der Vier-Voetige Dieren, Vissen ... en Draken" (*), Amsterdam, 1660. Left: a painting by Odano Naotake, clearly based upon Johnstone
Painting, detail: the lower left corner of Deshima (northeast) with view of garden and bridge. From "Nagasaki Oranda yashiki zu", "The Dutch Residence in Nagasaki", dating between 1786 and 1798.
Engraving: the governor of Kyôto leaving the city with his retinue: "Uyt Rydinge vande Gouverneur van MIAKO". A large fancy cart, drawn by horses, with openwork wheels and hanging curtains; behind it a sedan chair with two gentlemen, carried by a dozen or
Handscroll: "Deshima zu", "The Dutch Settlement", fourth section: two (of three) Dutch ships at anchor in the harbour of Nagasaki. In the lower left corner the signature and seal of Kanô Shunko.
Woodblock print: the gateway leading to the Shin'yoshiwara Quarter, by Katsushika Hokusai. Busy street with gate, many people passing.
A detail from a Nanban screen: a gentleman and a lute-playing lady, a dog, and three gentlemen conversing.
Painting: the Kôeiji temple in Edo, in linear perspective. One of a set of five, possibly by the Akita painter Odano Naotake. Anonymous.
Screen, detail: traders and crew aboard a Portuguese ship. From the right-hand screen of a pair of sixfold "namban" screens; Tosa school, late 16th, early 17th century.
Map: "IMPERIUM JAPONICUM". Map of Japan by Hadrianus Relandus (Adriaan Re[e]land, professor at the University of Utrecht; Amsterdam, 1715. In the lower right corner an inset with the city of Nagasaki and its environs. According to the description at the b
Engraving: a tower of Azuchi castle, after a sketch by Philips van Winghe. From Vicenzo Cartari, "Imagini delli dei de gl'antichi", Venice, 1647 (facsimile ed. Graz, 1963, p. 381).
Woodblock print, stencilled colours: a Dutchman ("Oranda-jin") holding a stemmed cup, a Dutch boy or servant holding up a squat bottle, and a Javanese slave ("kôryûba kurombô" "black boy from Batavia") with a bamboo parasol. No publisher indicated. Nagasa
Map: Japan. Mt. Fuji and the mountains of northern Honshû have been rendered in a panoramic way. Late 16th century map, on the four middle panels of a sixfold screen; one of a pair, the matching screen showing a world map (*). Both screens are executed in
Painting: a pair of hanging scrolls, by Shiba Kôkan. Left: "Vulture Peak" (Ryôjusan, of Buddhist tradition), identified with Adam's Peak on Sri Lanka. Inscription reads: "ADAMS". Right: a "flying boat", a combination of a sailing boat and a balloon, saili
Multicolour woodblock print, triptych, detail (right third): the Maruyama gay quarters of Nagasaki, with several western visitors. Detail of "Hizen Kiyô Tamanoura fûkei no zu", "View of Tamanoura, Nagasaki, Hizen Province", a sixfold woodblock print. By (
Screen, detail: a Portuguese and three dark-skinned sailors carrying merchandise ashore from a long-boat. The left-hand screen of a pair of sixfold "Namban" screens.
Copperplate print: the female body, from the Dutch version of the anatomical handbook "Pinax Microcosmographicus" by the German physician Johann Remmelin, entitled "Ontleding des Menschelyke Lichaems" (Amsterdam, 1667). One layer of lift-up flaps has been

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