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(Stylized picture of) wooden signboard with golden inscription in Chinese, Manchu and Mongol script, marking the Gate of Benevolent Peace (Cining men) in the Forbidden City.
Titel
(Stylized picture of) wooden signboard with golden inscription in Chinese, Manchu and Mongol script, marking the Gate of Benevolent Peace (Cining men) in the Forbidden City.
Shelfmark
6481
Fortune teller at his stall, with bird trained to pick out cards (photograph made in a studio). He keeps the bird in his left hand.
Titel
Fortune teller at his stall, with bird trained to pick out cards (photograph made in a studio). He keeps the bird in his left hand.
Shelfmark
8790
Court painting: (posthumous) state portrait of Xiaode [? - 1849] from the SAKEDA clan, the Xianfeng empress, seated on her throne. She is wearing a CHAOFU, formal court dress. Her CHAOGUAN (court hat) has three gold phoenixes on the top. She also wears a
Titel
Court painting: (posthumous) state portrait of Xiaode [? - 1849] from the SAKEDA clan, the Xianfeng empress, seated on her throne. She is wearing a CHAOFU, formal court dress. Her CHAOGUAN (court hat) has three gold phoenixes on the top. She also wears a
Shelfmark
13759
Bronze statue: kneeling female figure with hair piled high, originally holding a (now lost) sunshade. Dian culture.
Titel
Bronze statue: kneeling female figure with hair piled high, originally holding a (now lost) sunshade. Dian culture.
Shelfmark
5554
Section of Joan Nieuhof's account of the Dutch embassy to the Qing court in 1655-57: "¿vertoonde. Hy was dubbelt, te weeten EENS IN DE SINEESCHE EN EENS IN DE TARTARISCHE TALE GESCHREVEN, AAN DE KANT VERGULT, EN OP DE RUGH MET GOUDE EN ZILVERE LOVEREN BES
Titel
Section of Joan Nieuhof's account of the Dutch embassy to the Qing court in 1655-57: "¿vertoonde. Hy was dubbelt, te weeten EENS IN DE SINEESCHE EN EENS IN DE TARTARISCHE TALE GESCHREVEN, AAN DE KANT VERGULT, EN OP DE RUGH MET GOUDE EN ZILVERE LOVEREN BES
Shelfmark
5923
Painting: group of court officials kneeling for the emperor just outside Qianmen (or Zhengyang men, Peking), seen from the back. They are wearing court dress, lined with fur, mandarin squares indicating their rank and position. Hats and long queues. QIANL
Titel
Painting: group of court officials kneeling for the emperor just outside Qianmen (or Zhengyang men, Peking), seen from the back. They are wearing court dress, lined with fur, mandarin squares indicating their rank and position. Hats and long queues. QIANL
Shelfmark
13503
Three (plastic casts of) wooden movable types in Uighur script, each block containing a whole word. Below are prints taken from the blocks.
Titel
Three (plastic casts of) wooden movable types in Uighur script, each block containing a whole word. Below are prints taken from the blocks.
Shelfmark
1453
New Year's print (NIANHUA): the theme of this New Year's print is a dramatic event; the "Tientsin Incident", depicting the massacre at Tianjin in 1870: close-up of Chinese killing a French missionary. In the background the church in flames. See also acc.
Titel
New Year's print (NIANHUA): the theme of this New Year's print is a dramatic event; the "Tientsin Incident", depicting the massacre at Tianjin in 1870: close-up of Chinese killing a French missionary. In the background the church in flames. See also acc.
Shelfmark
2616
Fragment of Manichaean manuscript with text in Uighur script and illustrations of musicians, noble worshipppers, part of a haloed saint's head and flowers.
Titel
Fragment of Manichaean manuscript with text in Uighur script and illustrations of musicians, noble worshipppers, part of a haloed saint's head and flowers.
Shelfmark
6073
Theatre inside the CHENGHUANG MIAO, the temple of the City God. Three-eaved, with upper roof dome-shaped. The stage rests on pillars above the ground. The stage setting is made of wooden panels, painted with dragons.
Titel
Theatre inside the CHENGHUANG MIAO, the temple of the City God. Three-eaved, with upper roof dome-shaped. The stage rests on pillars above the ground. The stage setting is made of wooden panels, painted with dragons.
Shelfmark
9436
Neolithic pottery PEN basin from Majiayao type site in Qinghai. Design of parallel lines and a row of male dancers.
Titel
Neolithic pottery PEN basin from Majiayao type site in Qinghai. Design of parallel lines and a row of male dancers.
Shelfmark
9667
Map: the Western (Greek) known world, ca. 450 B.C. Sequence: 3rd of 3: "terra incognita".
Titel
Map: the Western (Greek) known world, ca. 450 B.C. Sequence: 3rd of 3: "terra incognita".
Shelfmark
5249
Ritual performed during a funeral procession: the principal mourners pause to make obeisance to the coffin, kneeling on a mat, wearing mourning dress.
Titel
Ritual performed during a funeral procession: the principal mourners pause to make obeisance to the coffin, kneeling on a mat, wearing mourning dress.
Shelfmark
9122
Close-up of the base of a Buddhist votive stele, showing three men in long robes, two donor figures wearing hats, one monk with tonsure, holding an incense-burner. Between the figures inscriptions.
Titel
Close-up of the base of a Buddhist votive stele, showing three men in long robes, two donor figures wearing hats, one monk with tonsure, holding an incense-burner. Between the figures inscriptions.
Shelfmark
1374
Bastion at the southeast corner of the city wall of Jinan fu. Since the surface of the upper half of the wall is made of stepped layers of brick, an approximately two metres high zone of flat masonry under the stepped part (visible on the picture as a sli
Titel
Bastion at the southeast corner of the city wall of Jinan fu. Since the surface of the upper half of the wall is made of stepped layers of brick, an approximately two metres high zone of flat masonry under the stepped part (visible on the picture as a sli
Shelfmark
8739
Map: European expansion. Sequence, 1st of 30: the Portuguese occupy Madeira (1419) and the Azores (1432) COMMENTS: Sequence: European expansion ¿1. Portuguese occupation of Madeira and the Azores 1419-1432 (acc. 6719)¿ 2. Portuguese forts and trade por
Titel
Map: European expansion. Sequence, 1st of 30: the Portuguese occupy Madeira (1419) and the Azores (1432) COMMENTS: Sequence: European expansion ¿1. Portuguese occupation of Madeira and the Azores 1419-1432 (acc. 6719)¿ 2. Portuguese forts and trade por
Shelfmark
6719
Painting: the story of Lady Wenji, thirteenth section, detail: the Farewell. In a nomadic camp, lady Wenji says goodbye to her husband and two sons before returning to China. People stand around crying, covering their eyes with their sleeves. In the backg
Titel
Painting: the story of Lady Wenji, thirteenth section, detail: the Farewell. In a nomadic camp, lady Wenji says goodbye to her husband and two sons before returning to China. People stand around crying, covering their eyes with their sleeves. In the backg
Shelfmark
12470
Photograph: scene of Taoist ritual on Taiwan called FENDENG (Lighting the lamps). Two monks clad in black robes perform the "rolling up of the scroll" in front of an altar. Yellow paper documents hanging on altar railing.
Titel
Photograph: scene of Taoist ritual on Taiwan called FENDENG (Lighting the lamps). Two monks clad in black robes perform the "rolling up of the scroll" in front of an altar. Yellow paper documents hanging on altar railing.
Shelfmark
2006
Rubbing: characters incised in bronze vessel, type DOU, known as the CHU WANG DOU, from the late Zhanguo period. Script similar to Chu silk manuscript and bamboo writing slips.
Titel
Rubbing: characters incised in bronze vessel, type DOU, known as the CHU WANG DOU, from the late Zhanguo period. Script similar to Chu silk manuscript and bamboo writing slips.
Shelfmark
2179
View of food-stall in the open air, cooks and customers under a large sunshade.
Titel
View of food-stall in the open air, cooks and customers under a large sunshade.
Shelfmark
8115

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