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Woodblock multicolour print: "sutonbôto", "steamboat", full of Dutch flags, a paddle wheel, and chimney with steam. It represents the paddle steamer "Soembing" which was offered as a gifrt to the Japanese government in 1855, after which it was renamed "Ka
Ink sketch: the lower half of the lookout platform, built on a tiled roof. Dog. From an album of sketches, compiled by the inn keeper Itô Mokunojô (*); facsimile copy of the album, published by Ogata Tomio (Tokyo, 1977).
Woodblock print, stencilled colours: "HOLLANDER". A Dutch couple, depicted in a decorative frame; the man with cocked hat, raising a glass; the woman with earrings and necklace. On the table in front of them a flask, and ink-dropper/ashtray (?). Published
Watercolour on silk: a distant view of Mt. Fuji across the Ôigawa River, seen from the Kanetani Plateau in Tôtômi Province. By Shiba Kôkan, dated 1812. In the upper right corner an autograph colophon. One of the set of views of Mt. Fuji painted by Kôkan d
Handscroll, detail: two stags; two Japanese officers in their office; fence with "chevaux-de-frise"; warehouse with Dutchman on balcony; cock, hen and turkeys; Dutchman on pathway. Right half of the third section of "Nagasaki Oranda Deshima no zu", "Map o
Woodblock print: a miscroscope with explanation, from "Kômô zatsuwa" (1787), "Red-Hair Miscellany", by Morishima Chûryô.
Portrait: St. Franciscus Xavierus [1544-1599] offering his "burning" heart to Jesus; a vision of the crucifix surrounded by cherubs, the Jesuit anagram "IHS", and Xavier's words of gratitude: "SATIS EST D(OMI)NE SATIS EST", "It's enough, Lord, it's enough
Litho: "Trein van het Nederlandsch gezantschap / Zug der Niederländischen Gesandtschaft". Part of the "hofreis" procession moving along a beach; based on a painting by Kawahara Keiga.
Painting: portrait of Philipp Franz von Siebold [1796-1864], in a elaborately carved wooden frame.
Early photograph: Jan Hendrik Donker Curtius, the last "Opperhoofd" of Deshima [in office 1852-1860], posing before the camera.
Official proclamation in Chinese on a wooden notice board, informing captains and crew of Chinese ships that importing any items related to Christianity is strictly forbidden.
Handscroll, detail: below, two servants playing badminton. Upstairs: Dutchman and servant feeding a parrot, two large bottles on a chest, a dog, two Dutchmen, servant blowing a trumpet. Detail of the second quarter of "Deshima emaki", "Deshima scroll". An
Blue-and-white bottle with Dutch figure design, inspired by Jingdezhen polychrome porcelain of the Qianlong period. Arita porcelain, early 19th century.
Small toy animals covered with animal hair. Acquired by von Siebold in Japan.
Woodblock multicolour print: "Kômôjin dôchû hayashi-hô gyôretsu no zu", "A Procession of Red-haired Men on their Way to the East". In the background a moat and a city, probably Edo. No publisher indicated. Nagasaki print.
Fuse-lock pistol, decorated with floral patterns and with the trifoliate armorial emblem of the Tokugawa. An interesting example of the lack of development of (and interest in) the production of firearms in feudal Japan; in Europe pistols of this type had
Map: a very large manuscript map of Japan, first half 17th century. Marked are the provinces, main cities and major routes. Already in 1603, Ieyasu had instructed the "daimyô" to make detailed maps of their domains; this map (scale approximately 1: 280,00
Litho: "Komaki", von Siebold's servant Komaki, based on a drawing by C.H. de Villeneuve (*).
Handscroll, detail: the large two-storied building on the western shore of Deshima: upstairs interior scene with two Dutchmen, servant blowing a trumpet, and monkey. On the street servants and two deer. Left half of the second quarter of "Deshima emaki",
One of a pair of eightfold painted screens representing the world, its peoples and its major cities. The painting on this screen contains three main elements: (1) four pairs of mounted warriors engaged in combat, closely related to the "Fighting Rulers" s

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